Lars Schmidt
Mountains and Rivers
are Speaking

passiveactivism (at) gmail.com
www dot passiveactivism dot net

Acting-based Animal Work
Workshop for actors, dancers or circus artists - just as for open-minded scientists and researchers

Method Acting-based animal work allows the artist to find inspiration through emerging oneself into the realm of a chosen animal.
This animal is being explored experientially - its physicality, its behavior, its social life, its sensuality, its interconnectivity with the surrounding ecosystem...
This experience, 'becoming the animal', can be profoundly revealing and mind-opening, as well as animating for the creative process.
Also it has the potential to provide access to information that could not be accessed by a conventional way of research.
Originally/within the acting work the animal is being used as source of inspiration and color to build a character.

The acting process itself offers the possibility to learn what it means to be in the moment, what it means to use all of the senses, to use the imagination, to be open and perceptive.
You learn about empathy, rhythms, impulses, emotional life, mindsets, blocks.
You get to know yourself as instrument.
You get to know how to open up to the creative process.
Until what remains is 'dance' only.

About the workshops

The format is flexible (interdisciplinary thinking is most welcome!), but usually addressed to performers with experience in acting, dance/choreography or circus.

Participants will work with sensory awareness, imagination, different exercises from dance and bodywork, as well as specific research, and pass through the process of ‘being the animal’ towards its ‘humanization’.
That is to say: using/integrating the acquired information (sensorial, physical, emotional, intellectual) as aspects of a character, a dance or choreography piece, or as foundation for further transdisciplinary work and research.

The work will provide each participant with specific tools that he/she may integrate into the development of their personal working practice.

About the facilitator

Lars Schmidt has worked internationally as actor and acting instructor.

His main acting coach and mentor was Susan Batson, who is one of the most elaborate coaches of the artform in the world today, working with actors like Nicole Kidman or Juliette Binoche.
Lars has been working for Susan as longtime assistant and as acting instructor.

Other actors and teachers Lars had the pleasure to be studying with are Marcia Haufrecht and Elisabeth Kemp. All of his former teachers are life-time members of The Actors Studio New York.

In dance and bodywork his path led from classical and modern dance training to studies of Somatics, Contact Improvisation and Tango - using cultural centers like New York, Berlin and Buenos Aires as source of inspiration and input.